Fragmented Selves: Identity Construction in Postmodern American Novels
DOI:
https://doi.org/10.65579/sijri.2026.v2i6.06Keywords:
Postmodern American fiction, identity construction, fragmented self, postmodernism, narrative theory, metafiction, subjectivity, cultural identity, contemporary literature, literary criticism.Abstract
The meaning of identity has changed dramatically in postmodern American literature, with the idea of self often challenged by the use of disjointed story lines and multiple perspectives as well as the complexities of contemporary social life. This study discusses the creation of fragmented identities in specific postmodern American novels and how these texts depict characters grappling with multiple and sometimes conflicting personal, cultural and social identities. It explores how postmodern approaches to literary fiction (like metafiction, non-linear narrative, unreliable narrators, intertextuality and multiple narrative voices) impact on the self's instability. The paper examines how identity is being represented as neither a state nor a "unified whole" but as an ongoing process that constantly changes because of memory, language, history, technology, consumer culture, and globalization, through the use of a comparison of representative works by American novelists. The research method used in the study is qualitative research and the analysis used is postmodern literary theory, identity theory and cultural criticism that analyzes the relationship between narrative form and the construction of identity. The results of the analysis show that the concept of fragmented storytelling is the result of the uncertainty of the characters' psyche, culture and existence in a complex society. It also highlights the role of race, gender, ethnicity, class, trauma, migration and the media in the construction and reconstruction of personal identity. The research will enable the postmodern American novels to pose questions to the traditional theories of authenticity, coherence and individuality that are interrelated with the notions of multiplicity, ambiguity and self-reflexivity. The results indicate that the experience of fragmented identities is not only a sign of a dynamic cultural situation, but also one of resistance, adaptation, and even reinvention. Writing in the postmodern field of fiction, inchoate storytelling techniques could make the reader think differently about the nature of identity and a broader acceptance of different human experiences. Overall, the study helps to advance the current state of literary scholarship by providing evidence of the nature of postmodern American novels in relation to shifting identity in a shifting social and cultural context, as well as extending critical literature on narrative, subjectivity, and representation.
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